Published by Robert Scoble
I give you a front-row seat on the future. Focusing most of my efforts now on next-generation augmented reality and artificial intelligence, AKA "mixed reality."
SUBSCRIBE TO MY NEWSLETTER: http://clevermoe.com/scobleizer-news/
BUY OUR NEW BOOK: https://www.amazon.com/Fourth-Transformation-Robert-Scoble/dp/1539894444 "The Fourth Transformation: How augmented reality and artificial intelligence will change everything."
WATCH MY LATEST SPEECHES:
State of VR with Philip Rosedale (done in VR itself, very cool): https://www.youtube.com/watch?v=2zAA1EVGUZU
At GEOINT, June 2017: http://trajectorymagazine.com/glimpse-new-world/
Augmented World Expo, June 2017: https://www.youtube.com/watch?v=l4xHILvLD8E
At Leade.rs, April 2017: https://youtu.be/52_0JshgjXI
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BIO:
Scoble gives you a front-row seat on the future.
Literally. He had the first ride in the first Tesla. Siri was launched in his house. He's been the first to share all sorts of technologies and companies with you, from Flipboard to Pandora to Instagram.
Today he's focusing on mixed reality, AKA "next-generation augmented reality" which will include a new user interface for EVERYTHING in your life (IoT, Smart Cities, driverless cars, robots, drones, etc).
That's based on his view thanks to his past experience as futurist at Rackspace.
Best place to find Scoble? On his Facebook profile at https://www.facebook.com/RobertScoble
He has been a technology blogger since 2000, was one of five people who built Microsoft's Channel 9 video blog/community, worked at Fast Company Magazine running its TV efforts, and has been part of technology media businesses since 1993.
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SPEAKER PITCH:
Apple and Facebook now have revealed their Augmented Reality strategies, which means your business needs one too. Rely on Robert Scoble, the world's top authority on AR, to bring to your conference what businesses should do next.
SPEECH ABSTRACT #1:
TITLE: The Fourth Transformation: What's next in mixed reality (AR and AI) and the future of technology?
Here's an example of this talk at Leade.rs in Paris in April, 2017: https://youtu.be/52_0JshgjXI
Why "the Fourth Transformation?"
Soon we will have phones and glasses that do full on augmented reality. Everything you look at will potentially be augmented. This world is coming in late 2017 with a new iPhone from Apple, amongst other products. Microsoft is betting everything on its HoloLens glasses that do mixed reality and the industry is spending many billions of dollars in R&D and funding new companies like Magic Leap.
This future will be the user interface for IoT, Smart Cities, autonomous cars, robots, drones, and your TV.
This is a big deal and Robert will take you through what mixed reality is and how it will change every business.
Learn more about Robert's speaking style and contact his agent at http://odemanagement.com/robert-scoble/Robert-Scoble.html
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SPEECH ABSTRACT #2:
"The Next Two Clicks of Moore's Law."
Over the next four years, or two clicks of Moore's Law, a ton about our technology world will change. Scoble will bring you the best from his travels visiting R&D labs, startups, and innovators around the world.
He views the world through his rose-colored-mixed-reality glasses, which will be the new user interface for self driving cars, Smart Cities, IoT, and many other things in our world.
He'll send you off with some lessons for companies both large and small.
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SPEECH ABSTRACT #3:
"Personalized Meaning: What is Augmented Reality For?"
As we enter a far more technological world where even cars drive themselves, I predict we'll see a blowback toward the analog, more authentic world.
What role does augmented reality play in both worlds?
Get Scoble's insight into where augmented reality is going, see tons of real-world demos, and understand what he means by 'personalized meaning.'
CONTACT:
If you are looking to contact me, email is best: scobleizer@gmail.com.
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ENDORSEMENTS:
IZEA Top 25 Tech Influencers: https://izea.com/2017/07/07/25-top-tech-influencers/
Time: One of the top 140 Twitterers!
FT: One of the five most influential Twitterers!
Inc. Top 5 on list of Tech Power Players You Need to Know: http://www.inc.com/john-rampton/30-power-players-in-tech-you-need-to-know.html
Next Reality: #4 on top 50 AR influencer list: https://next.reality.news/news/nr50-next-realitys-50-people-watch-augmented-mixed-reality-0177454/
View all posts by Robert Scoble
I just finished trying to explain to my kids how vinyl records worked, and now I’m going to have to explain what a music store was…
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I’ve added a feed auto-discovery feature to Feedlinx (http://www.feedlinx.com). It checks for the standard tags, but it also hunts through all tags too. I’d love to get some feedback on usability. It’s working well though my tests, but I need someone to try to break it.
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I just finished trying to explain to my kids how vinyl records worked, and now I’m going to have to explain what a music store was…
————————-
I’ve added a feed auto-discovery feature to Feedlinx (http://www.feedlinx.com). It checks for the standard tags, but it also hunts through all tags too. I’d love to get some feedback on usability. It’s working well though my tests, but I need someone to try to break it.
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Wuuu yeah!! nice post!!!!
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Wuuu yeah!! nice post!!!!
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It is possible that download sales have been high enough previously but for some reason there is a restriction in the UK charts that download sales are only counted from 1 week before the CD release. If it isn’t released on CD it can’t get into the charts.
The CD single was released yesterday (Monday, April 3rd) so the downloads were eligable for last weeks charts. Everyone was expecting it to go to No. 1 on downloads alone so I suspect it had already been selling large quantities before.
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It is possible that download sales have been high enough previously but for some reason there is a restriction in the UK charts that download sales are only counted from 1 week before the CD release. If it isn’t released on CD it can’t get into the charts.
The CD single was released yesterday (Monday, April 3rd) so the downloads were eligable for last weeks charts. Everyone was expecting it to go to No. 1 on downloads alone so I suspect it had already been selling large quantities before.
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Hehe, 15 minutes of fame come my way and what am I doing? Sleeping! 🙂
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Hehe, 15 minutes of fame come my way and what am I doing? Sleeping! 🙂
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Nice blog, Scobleizer!
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Nice blog, Scobleizer!
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Hey Robert, nice to hear the UK is not off your radar!
I believe that the combined downloads of Crazy were 31,000 (not a great deal int eh scheme of things!), but what makes the whoel thing so fascinating is that it originated on an “indie, new music” show on BBC Radio 1.
It played once or twice, got played again, then soon featured on a BBC TV ad for BBC Radio 1 (go figure?!).
The ad for the “in new music we trust” Radio 1 strapline created a cult following (very cool ad!).
Since then, competing commercial radio stations have been inundated with requests to play “that radio 1 TV advert song”.
Only recently have downloads become permissable for inclusuion into the charts (no doubt something to do with the industry having to appear in good shape), because if 31,000 sales can reach number 1m the industry is in poor shape!
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Hey Robert, nice to hear the UK is not off your radar!
I believe that the combined downloads of Crazy were 31,000 (not a great deal int eh scheme of things!), but what makes the whoel thing so fascinating is that it originated on an “indie, new music” show on BBC Radio 1.
It played once or twice, got played again, then soon featured on a BBC TV ad for BBC Radio 1 (go figure?!).
The ad for the “in new music we trust” Radio 1 strapline created a cult following (very cool ad!).
Since then, competing commercial radio stations have been inundated with requests to play “that radio 1 TV advert song”.
Only recently have downloads become permissable for inclusuion into the charts (no doubt something to do with the industry having to appear in good shape), because if 31,000 sales can reach number 1m the industry is in poor shape!
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This gives my crappy band some hope.
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This gives my crappy band some hope.
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Whatever happened to like double or triple platinum? Under 100,000 doesn’t even get you on NYT best seller list. Rather than a praise, it be a damning incidment of how poor online sales actually are. Gives a whole new meaning to the one-hit wonder catch phrase; one hit hot momentary download. Hopefully for them it translates into real sales, or they will be thought of as “just another MySpace demographic flash-in-the-pan”. And they owe more than half of it to the Gorillaz linking.
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Whatever happened to like double or triple platinum? Under 100,000 doesn’t even get you on NYT best seller list. Rather than a praise, it be a damning incidment of how poor online sales actually are. Gives a whole new meaning to the one-hit wonder catch phrase; one hit hot momentary download. Hopefully for them it translates into real sales, or they will be thought of as “just another MySpace demographic flash-in-the-pan”. And they owe more than half of it to the Gorillaz linking.
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@Mr. coulter-
gnarles barkley are more a product of stereogum and other a-list mp3 blogs. myspace is just a way for people to keep track of bands they already know.
and since NYT’s best seller list isn’t for the UK, i hardly see how it’s relavent.
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@Mr. coulter-
gnarles barkley are more a product of stereogum and other a-list mp3 blogs. myspace is just a way for people to keep track of bands they already know.
and since NYT’s best seller list isn’t for the UK, i hardly see how it’s relavent.
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Gnarls Barkley is a project by DJ Danger Mouse, who made his name with the highly illegal “Grey Album” mashup of the Beatles’ White Album with Jay-Z’s Black Album. After getting a cease-and-desist from copyright owner EMI, he was promptly hired to produce the most recent Gorillaz album, out now on EMI (ha ha).
What’s funny about this is that while illegal Internet file-sharing basically made Danger Mouse’s career and downloads appear to have played a role in the initial success of this project, the promo CDs for the full-length Gnarls Barkley album are watermarked and individually labeled with the reviewer’s name and publication to prevent leakage.
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Gnarls Barkley is a project by DJ Danger Mouse, who made his name with the highly illegal “Grey Album” mashup of the Beatles’ White Album with Jay-Z’s Black Album. After getting a cease-and-desist from copyright owner EMI, he was promptly hired to produce the most recent Gorillaz album, out now on EMI (ha ha).
What’s funny about this is that while illegal Internet file-sharing basically made Danger Mouse’s career and downloads appear to have played a role in the initial success of this project, the promo CDs for the full-length Gnarls Barkley album are watermarked and individually labeled with the reviewer’s name and publication to prevent leakage.
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